In the folds of the story. Videograms of a revolution by Harun Farocki. A talk by Francesco Restuccia in conversation with Carla Subrizi. 21.12.2022, 6.30 pm. Via del Vascello 35, 00152 Rome.

Harun Farocki, Videograms of a Revolution, 1992, video frame 12'39''.

Harun Farocki, Videograms of a Revolution, 1992, video frame 12'39''.

Fondazione Baruchello invites, on 21 December 2022, to a conversation between Francesco Restuccia and Carla Subrizi about the film Videograms of a revolution by Harun Farocki made in collaboration with Andrei Ujică (1992), and present from 12 to 23 December in the programme of films accompanying the exhibition “Aprire la storia”, open until 24 February 2023.

The meeting takes the form of an introduction to the film and dwells above all on the themes of critical editing proposed by Farocki. Videograms of a revolution deals with the fall of Nicolae Ceaușescu’s communist regime, using amateur footage, foreign and local news reports and images from the Bucharest TV studio occupied by protesters. Different points of view, as many as the footage of the people who lived through those days, are interwoven with the official news reports documenting the events of the revolution up to its epilogue. In this way, the artist proposes an alternative and layered narration of the facts that questions mass media communication and, more generally, the construction of the memory of historical facts through multiple sources.

“Aprire la storia” is an exhibition which intends to reflect on the adjacencies between the mass media universe of communication proposed by a daily newspaper and the reflection that artists of different backgrounds and training have dedicated to history: Alongside the narration of facts and contexts from the daily newspaper ”la Repubblica”, a series of artists’ films have been selected through which the roots of the mass media construction of facts are investigated, the gaps and censorships in the narrative are addressed, parallel glances are set up that do not neglect memory and affection, and the cultural systems underlying the telling of history are subjected to a critical gaze. The enormous archive of a newspaper (from the first issue to 2010 and then, through a selection, to the present day) set up in the spaces of Fondazione Baruchello, presents the course of history, in the fragmentary and immediate nature of journalistic communication; the films, in a dedicated projection space, constitute the opening of a perspective that, with different gazes, problematise the same facts, opening up new reading paths.



Francesco Restuccia is a research fellow at La Sapienza – University of Rome. His main interests include the history of aesthetics, media theory and the philosophy of technique. He is an associate member of the research group AN-ICON – History, Theory, and Practices of Environmental Images, and author of a monograph entitled Il contrattacco delle immagini. Technique, media, idolatry starting with Vilém Flusser (Meltemi, Milan 2021).



28.11 – 09.12.2022
Antoni Muntadas – On Translation: Fear / Miedo | 2005, DVD, 30’27”, color, sound, subtitles

12.12 – 23.12.2022
Harun Farocki – Videograms of a Revolution | 1992, found footage, 106′, color, sound, subtitles

9.1 – 13.1.2023
Chantal Akerman – D’Est | 1993, 16 mm, 111′, color, sound

16.1 – 20.1.2023
Rogelio López Cuenca – Calor Humano | 2008, digital video, 3’38”, b/w, sound
Rogelio López Cuenca and Elo Vega – à Valparaiso 1963-2013 | 2013, video, 22’48’’, b/W, sound

23.1 – 27.1.2023
Gianfranco Baruchello – In su | 2001, VHS, 5′, color, sound
Gianfranco Baruchello – Ars memoriae | 2009, HDV, 21′, color, sound

30.1 – 03.2.2023
Fiamma Montezemolo – Traces | 2012, digital video, 20’28”, color, sound

6.2 – 10.2.2023
Dora García – Love with Obstacles | 2020, video, 60′, color, sound, subtitles

13.2 – 17.2.2023
Cesare Pietroiusti – Pensiero unico | 2003, video, 5’41”, color, sound

20.2 – 24.2.2023
Carlo Gabriele Tribbioli and Federico Lodoli – Fragment 53 | 2015, HD, 71′, color, stereo


“Aprire la storia” 20.10.2022 – 24.02.2023.

We would like to thank Antje Ehmann and Harun Farocki Gbr, Berlin.

This exhibition was created with the contribution of Regione Lazio, Direzione Cultura e Lazio Creativo, Area Servizi Culturali e Promozione della Lettura, L.R. n. 24/2019, Piano 2022.

“Aprire la storia” received the patronage of the Dipartimento di Storia Antropologia Religioni Arte
Spettacolo of Sapienza University in Rome.